Editorial-style music theory infographic showing a 4-string bass guitar fretboard with the seven modes, interval formulas, and clear ii–V–I chord-tone mapping. Designed in a warm wooden studio setting with a refined navy and gold palette, it presents the scale of 5ths relationship with high-readability educational layout.
Re-render this exact infographic with every label, heading and caption translated. We re-use all the original attributes (topic, style, palette, …) and only swap the language. Currently in English.
Music theory infographic titled "II–V–I Chord Progression". SCALE MODES archetype focused on bass guitar, showing the seven modes from Ionian → Locrian laid out clearly with musically accurate interval formulas and bass-guitar finger-position patterns, emphasizing how the II–V–I progression is derived and resolved. Central diagram: precise 4-string bass guitar fretboard with accurate fret markers, finger positions, note locations, interval degrees, and mode pattern overlays; include a clean visual mapping of ii, V, and I chord tones and their relationship across the modes. Add supporting theory visuals for the 5ths relationship without using the exact search phrase as on-image text. Warm wooden practice room background, editorial music education poster style, navy & gold palette, refined studio lighting, polished wood textures, clear pedagogical layout, high readability, modern infographic hierarchy. Use canonical note names and chord symbols such as C, D, E, G7, Bm, and Italian musical terms only in canonical form where needed. No copyrighted lyrics or song sheet excerpts. All text MUST be written in English (array). Every heading, label, caption, legend and metric name in the image must be in English — not English. Spell each English word correctly using English characters and diacritics. Numbers stay as digits, no watermarks Musically accurate notation, finger positions and intervals. Note names and Italian musical terms stay in canonical international form. No copyrighted song lyrics or sheet music.
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